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If the Japanese are a conspicuously emotional race, as is commonly believed, we should naturally expect this characteristic to manifest itself in a marked degree in the relation of the sexes. Curiously enough, however, such does not seem to be the case. So slight a place does the emotion of sexual love have in Japanese family life that some have gone to the extreme of denying it altogether. In his brilliant but fallacious volume, entitled "The Soul of the Far East," Mr. Percival Lowell states that the Japanese do not "fall in love." The correctness of this statement we shall consider in connection with the argument for Japanese impersonality. That "falling in love" is not a recognized part of the family system, and that marriage is arranged regardless not only of love, but even of mutual acquaintance, are indisputable facts.

The more one examines into life and the motives of it, the more does one perceive that the imagination, concerning itself with hopes of escape from any conditions which hamper and confine us, is the dynamic force that is transmuting the world. The child is for ever planning what it will do when it is older, and dreams of an irresponsible choice of food and an unrestrained use of money; the girl schemes to escape from the constraints of home by independence or marriage; the professional man plans to make a fortune and retire; the mother dreams ambitious dreams for her children; the politician craves for power; the writer hopes to gain the ear of the world--these are only a few casual instances of the desire that is always at work within us, projecting us into a larger and freer future out of the limited and restricted present. That is the real current of the world, and though there are sedate people who are contented with life as they see it, yet in most minds there is a fluttering of little tremulous hopes forecasting ease and freedom; and there are also many tired and dispirited people who are not content with life as they have it, but acquiesce in its dreariness; yet all who have any part in the world's development are full of schemes for themselves and others by which the clogging and detaining elements are somehow to be improved away. Sensitive people want to find life more harmonious and beautiful, healthy people desire a more continuous sort of holiday than they can attain, religious people long for a secret ecstasy of peace; there is, in fact, a constant desire at work to realise perfection.

The third and last main stage of the palaeolithic epoch developed by degrees into a golden age of art. But I cannot dwell on all its glories. I must pass by the beautiful work in flint; such as the thin blades of laurel-leaf pattern, fairly common in France but rare in England, belonging to the stage or type of culture known as the Solutrian (from Solutre in the department of Saone-et-Loire). I must also pass by the exquisite French examples of the carvings or engravings of bone and ivory; a single engraving of a horse's head, from the cave at Creswell Crags in Derbyshire, being all that England has to offer in this line. Any good museum can show you specimens or models of these delightful objects; whereas the things about which I am going to speak must remain hidden away for ever where their makers left them--I mean the paintings and engravings on the walls of the French and Spanish caves.

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