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Spiders, which do not undergo such changes as do most of the common, six-footed insects, winter either as eggs or in the mature form. The members of the "sedentary" or web-spinning group, as a rule, form nests in late autumn, in each of which are deposited from fifty to eighty eggs, which survive the winter and hatch in the spring, as soon as the food supply of gnats, flies, and mosquitoes appear. The different forms of spiders' nests are very interesting objects of study. Some are those close-spun, flat, button-shaped objects, about half an inch in diameter, which are so common in winter on the under side of bark, chunks and flat rocks. Others are balloon-shaped and attached to weeds. Within the latter the young spiders often hatch in early winter, make their first meal off their empty egg cases, and then begin a struggle for existence, the stronger preying upon the weaker until the south winds blow again, when they emerge and scatter far and wide in search of more nutritious sustenance.

Rome was at this time, as we have said, the great center of education, as well as of religious and ecclesiastical influence. In fact, education and religion went hand in hand in those days, there being scarcely any instruction in books excepting for the purposes of the Church. Separate schools had been established at Rome by the leading nations of Europe, where their youth could be taught, each at an institution in which his own language was spoken. Ethelwolf remained a year at Rome, to give Alfred the benefit of the advantages which the city afforded. The boy was of a reflective and thoughtful turn of mind, and applied himself diligently to the performance of his duties. His mind was rapidly expanded, his powers were developed, and stores of such knowledge as was adapted to the circumstances and wants of the times were laid up. The religious and intellectual influences thus brought to bear upon the young Alfred's mind produced strong and decided effects in the formation of his character--effects which were very strikingly visible in his subsequent career.

The old Venetian realism was followed, in the time of the Renaissance, by startling developments. In the works of Tintoretto and Veronese there is a combination of gorgeous draperies, splendid and often licentious costumes, brilliant metal accessories, and every possible device for enhancing and contrasting colors, until one is bewildered and must adjust himself to these dazzling spectacles--religious subjects though they may be--before any serious thought or judgment can be brought to bear upon their artistic merit; these two great contemporaries lived and worked in the final decades of the sixteenth century.

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