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William Blake (1757-1827) was hardly a painter at all, though he drew and colored the strange figures of his fancy and cannot be passed over in any history of English art. He was perhaps the most imaginative artist of English birth, though that imagination was often disordered and almost incoherent. He was not a correct draughtsman, a man with no great color-sense, and a workman without technical training; and yet, in spite of all this, he drew some figures that are almost sublime in their sweep of power. His decorative sense in filling space with lines is well shown in his illustrations to the Book of Job. In grace of form and feeling of motion he was excellent. Weird and uncanny in thought, delving into the unknown, he opened a world of mystery, peopled with a strange Apocalyptic race, whose writhing, flowing bodies are the epitome of graceful grandeur.

The contrary might be objected by some foreign observer, or by some one who had a larger acquaintance with European history than had he. I can imagine a French or an Irish critic pointing to a mass of assertion with no corresponding admission that it is assertion only: such a critic might quote even from these few pages phrase after phrase in which Froude poses as certain what are still largely matters of debate. Thus upon page 144 he takes it for granted that no miracles have been worked by contact with the bodies of saints. He takes it for granted on page 161 that the checking of monastic disorders, and the use of strong language in connection with them, was peculiar to the generation which saw at its close the dissolution of the monasteries. He takes it for granted on page 125 that what we call "manifestations" or what not,--spirit rappings, table-turnings, and the rest--are deceptions of the senses to which superstition alone would give credence.

During the Numantine war Rome was menaced by a new danger, which revealed one of the plague-spots in the Republic. We have already had occasion to describe the decay of the free population in Italy, and the great increase in the number of slaves from the foreign conquests of the state.[59] As slaves were cheap, in consequence of the abundant supply, the masters did not care for their lives, and treated them with great barbarity. A great part of the land in Italy was turned into sheep-walks. The slaves were made responsible for the sheep committed to their care, and were left to supply themselves with food as they best could. It was an aggravation of their wretched lot, that almost all these slaves had once been freemen, and were not distinguished from their masters by any outward sign, like the negroes in the United States. In Sicily the free population had diminished even more than in Italy; and it was in this island that the first Servile War broke out.

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