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"Well, yes. I don't mean of the melting sort, but a sound kernel, _that_ you may be sure of. He is very good to his poor relations: pensions several of the women, and is educating a young fellow at a good deal of expense. Casaubon acts up to his sense of justice. His mother's sister made a bad match--a Pole, I think--lost herself--at any rate was disowned by her family. If it had not been for that, Casaubon would not have had so much money by half. I believe he went himself to find out his cousins, and see what he could do for them. Every man would not ring so well as that, if you tried his metal. _you_ would, Chettam; but not every man."

In a comprehensive sense Impressionism includes all artists who represent their subjects with breadth and collectiveness rather than in detail--in the way in which we see a view at the first glance, before we have time to apprehend its minor parts. The advocates of impressionism now claim that it is the most reformatory movement in modern painting; it is undeniably in full accord with the spirit of the time in putting aside older methods and conventions and introducing a new manner of seeing and representing Nature.

This does not in the least apply to groups of people who are genuinely and keenly interested in art of any kind, and form a congenial circle in which they discuss, frankly and enthusiastically, methods of work, the books, ideas, pictures, and music which interest them. That is quite a different thing, a real fortress of enthusiasm in the midst of Meshech and Kedar. What makes it base and morbid is the desire to exclude for the sake of exclusion; to indulge in solitary raptures, hoping to be overheard; to keep the tail of the eye upon the public; to attempt to mystify; and to trade upon the inquisitive instinct of human beings, the natural desire, that is, to know what is going on within any group that seems to have exciting business of its own.

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