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Tree-frogs have, of course, in most circumstances much greater difficulty in getting at water than pond-frogs; and this is especially true in certain tropical or desert districts. Hence most of the frogs which inhabit such regions have had to find out or invent some ingenious plan for passing through the tadpole stage with a minimum of moisture. The devices they have hit upon are very curious. Some of them make use of the little pools collected at the bases of huge tropical leaf-stalks, like those of the banana plant; others dispense with the aid of water altogether, and glue their new-laid eggs to their own backs, where the fry pass through the tadpole stage with the slimy mucus which surrounds them. Nature always discovers such cunning schemes to get over apparent difficulties in her way: and the tree-frogs have solved the problem for themselves in half a dozen manners in different localities. Oddest of all, perhaps, is the dodge invented by "Darwin's frog," a Chilean species, in which the male swallows the eggs as soon as laid, and gulps them into the throat-pouch beneath his capacious neck: there they hatch out and pass through their tadpole stage: and when at last they arrive at frogly maturity, they escape into the world through the mouth of their father.

While the Roman legions in the East were acquiring wealth and winning easy conquests, their less fortunate comrades in the West were carrying on a severe struggle with the warlike Gauls, Ligurians, and Spaniards. The Romans had hardly concluded the Second Punic War when they received intelligence that Hamilcar, a Carthaginian officer, had excited several tribes in Northern Italy to take up arms against Rome. These were the Gauls on both sides of the Po, and the Ligurians, a race of hardy mountaineers, inhabiting the upper Apennines and the Maritime Alps. They commenced the war in B.C. 200 by the capture and destruction of the Roman colony of Placentia, and by laying siege to that of Cremona, the two strong-holds of the Roman dominion in Northern Italy. The Romans now set themselves to work, with the characteristic stubbornness of their nation, to subdue thoroughly these tribes. The Insubres and the Cenomani, to the north of the Po, were the first to yield; but the Boii resisted for some years all the efforts of the Romans, and it was not till B.C. 191 that the Consul P. Cornelius Scipio Nasica received their final submission.

One of the best authorities for the period from the Conquest to 1141 is the Historia Ecclesiastica of ORDERIC VITALIS (A. le Prevost, Societe de l'Histoire de France, 1838-55). Born in England in 1075, of a Norman father, a clerk, and an English mother, he was sent by his father at the age of ten to the monastery of St. Evroul, and there he spent his life. The atmosphere in this monastery was favourable to study. It had an extensive library, and Orderic had at his command good sources of information, though he himself took no part in the events he describes. He paid some visits to England in which he obtained information, and as he always looked upon himself as an Englishman, his history naturally includes England as well as Normandy. He began to write about 1123, and from that date on he may be regarded as a contemporary authority, but from the Conquest the book has in many places the value of an original account. It is an exasperating book to use because of the extreme confusion in which the facts are arranged, or left without arrangement, the account of a single incident being often in two widely separated places. But the book rises much above the level of mere annals, and while perhaps not reaching that of the philosophical historian, gives the reader more of the feeling that a living man is writing about living men than is usual in medieval books. It reveals in the writer a lively imagination, which, while it does not affect the historical value of the narrative, gives it a pictorial setting. Orderic's interest in the minuter details of life and in the personality of the men of his time imparts a strong human element to the book; nor is the least useful feature of the work the writer's critical judgment on men and events, generally on moral grounds, but often assisting our knowledge of character and the causes of events.

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