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The awful penalty of success is the haunting dread of subsequent failure, and even sadder still is the fact that in striving eagerly to attain an end, we are apt to lose the sense of the purpose which inspired us. This is more drearily true of the pursuit of money than of anything else. I could name several friends of my own who started in business with the perfectly definite and avowed intention of making a competence in order that they might live as they desired to live; that they might travel, read, write, enjoy a secure leisure. But when they had done exactly what they meant to do, the desires were all atrophied. They could not give up their work; they felt it would be safer to have a larger margin, they feared they might be bored, they had made friends, and did not wish to sever the connection, they must provide a little more for their families: the whole programme had insensibly altered. Even so they were still planning to escape from something--from some boredom or anxiety or dread.

Throughout the land the newspapers are discussing the pros and cons of monogamy and polygamy. In January of 1898 the _Jiji Shimpo_, one of the leading daily papers of Tokyo, had a series of articles on the subject from the pen of one of the most illustrious educators of New Japan, Mr. Fukuzawa. His school, the "Keio Gijiku," has educated more thousands of young men than any other, notwithstanding the fact that it is a private institution. Though not a Christian himself, nor making any professions of advocating Christianity, yet Mr. Fukuzawa has come out strongly in favor of monogamy. His description of the existing social and family life is striking, not to say sickening. If I mistake not, it is he who tells of a certain noble lady who shed tears at the news of the promotion of her husband in official rank; and when questioned on the matter she confessed that, with added salary, he would add to the number of his concubines and to the frequency of his intercourse with famous dancing and singing girls.

In France, in the beginning of this century Watteau, 1684-1721, painted his interesting pictures of _La Belle Societe_, reproducing the court life, costumes, and manners of the reign of Louis XIV. with fidelity, grace, and vivacity. Later in the century, Greuze, 1725-1805, with his attractive, refined, and somewhat mannered style, had a certain influence. Claude Vernet, 1714-1789, and David, 1748-1825, each great in his way, influenced the nineteenth as well as the eighteenth century. Though Vien, 1716-1809, made a great effort to revive classic art, he found little sympathy with his aim until the works of his pupil David won recognition from the world of the First Empire.

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