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The reign of King Charles the Second was signalized by many other untoward and disastrous events besides those which we have enumerated. There were unfortunate wars, great defeats in naval battles, unlucky negotiations abroad, and plots and conspiracies, dangerous and disgraceful, at home. The king, however, took all these things very good naturedly, and allowed them to interfere very little with his own personal pleasures. Whatever troubles or embarrassments affected the state, he left the anxiety and care which pertained to them to his ministers and his council, banishing all solicitude from his own mind, and enjoying himself all the time with his experiments, his ladies, his dogs, and his perpetual fun.

He was sick, too, at the time, with an intermittent fever. The paroxysm returned once in three or four days, leaving him in tolerable health during the interval. He went first into the country of the Sabines, northeast of Rome, where he wandered up and down, exposed continually to great dangers from those who knew that he was an object of the great dictator's displeasure, and who were sure of favor and of a reward if they could carry his head to Sylla He had to change his quarters every day, and to resort to every possible mode of concealment. He was, however, at last discovered, and seized by a centurion. A centurion was a commander of a hundred men; his rank and his position therefore, corresponded somewhat with those of a _captain_ in a modern army. Caesar was not much disturbed at this accident. He offered the centurion a bribe sufficient to induce him to give up his prisoner, and so escaped.

The fifth chapel represents the birth of the Virgin. Having obtained permission to go inside it, I found the date 1715 cut large and deep on the back of one figure before baking, and I imagine that this date covers the whole. There is a Queen Anne feeling throughout the composition, and if we were told that the sculptor and Francis Bird, sculptor of the statue in front of St. Paul's Cathedral, had studied under the same master, we could very well believe it. The apartment in which the Virgin was born is spacious, and in striking contrast to the one in which she herself gave birth to the Redeemer. St. Anne occupies the centre of the composition, in an enormous bed; on her right there is a lady of the George Cruikshank style of beauty, and on the left an older person. Both are gesticulating and impressing upon St. Anne the enormous obligation she has just conferred upon mankind; they seem also to be imploring her not to overtax her strength, but, strange to say, they are giving her neither flowers nor anything to eat and drink. I know no other birth of the Virgin in which St. Anne wants so little keeping up.

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