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In the parish church at Saas-Grund there are two altar-pieces which deserve attention. In the one over the main altar the arrangement of the Last Supper in a deep recess half-way up the composition is very pleasing and effective; in that above the right-hand altar of the two that stand in the body of the church there are a number of round lunettes, about eight inches in diameter, each containing a small but spirited group of wooden figures. I have lost my notes on these altar-pieces and can only remember that the main one has been restored, and now belongs to two different dates, the earlier date being, I should imagine, about 1670. A similar treatment of the Last Supper may be found near Brieg in the church of Naters, and no doubt the two altar-pieces are by the same man. There are, by the way, two very ambitious altars on either side the main arch leading to the chance in the church at Naters, of which the one on the south side contains obvious reminiscences of Gaudenzio Ferrari's Sta. Maria frescoes at Varallo; but none of the four altar-pieces in the two transepts tempted me to give them much attention. As regards the smaller altar-piece at Saas-Grund, analogous work may be found at Cravagliana, half-way between Varallo and Fobello, but this last has suffered through the inveterate habit which Italians have of showing their hatred towards the enemies of Christ by mutilating the figures that represent them. Whether the Saas work is by a Valsesian artist who came over to Switzerland, or whether the Cravagliana work is by a Swiss who had come to Italy, I cannot say without further consideration and closer examination than I have been able to give. The altar-pieces of Mairengo, Chiggiogna, and, I am told, Lavertezzo, all in the Canton Ticino, are by a Swiss or German artist who has migrated southward; but the reverse migration was equally common.

Benedicto was certainly very plucky that day. All of a sudden he dashed inside the tree and proceeded to climb up. We heard wild screams for some minutes; evidently the bees were protecting their home well. While Filippe and I were seated outside, smiling faintly at poor Benedicto's plight, he reappeared. We hardly recognized him when he emerged from the tree, so badly stung and swollen was his face, notwithstanding the protection he had over it. All he brought back was a small piece of the honeycomb about as large as a florin. What little honey there was inside was quite putrid, but we divided it into three equal parts and devoured it ravenously, bees and all. A moment later all three of us were seized with vomiting, so that the meagre meal was worse than nothing to us.

RALPH, abbot of the Cistercian monastery of Coggeshall from 1207 to 1218, when he resigned because of illness, wrote a Chronicon Anglicanum (J. Stevenson, Rolls Series, 1875), which extends from 1066 to 1223. To 1186 the entries are brief annals: with 1187 the history becomes more full, but the writer's interest is chiefly in the crusade, of which important and interesting accounts are given from excellent sources; and comparatively little is recorded concerning the history of England proper before the accession of John. For the reign of John the book is one of our most important and trustworthy contemporary sources. Ralph was greatly interested in mythical tales, especially in wonderful occurrences in nature, and he records these at length as he heard of them, but this habit does not affect the character of his historical record proper. As a historian he is very well informed, though he gives but few documents; he saw clearly the essential point of things and had a sense of accuracy.

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