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The Saas chronicler, indeed, avers that the chapels were not built till 1709--a statement apparently corroborated by a date now visible on one chapel; but we must remember that the chronicler did not write until a century or so later than 1709, and though, indeed, his statement may have been taken from the lost earlier manuscript of 1738, we know nothing about this either one way or the other. The writer may have gone by the still existing 1709 on the Ascension chapel, whereas this date may in fact have referred to a restoration, and not to an original construction. There is nothing, as I have said, in the choice of the chapel on which the date appears, to suggest that it was intended to govern the others. I have explained that the work is isolated and exotic. It is by one in whom Flemish and Italian influences are alike equally predominant; by one who was saturated with Tabachetti's Varallo work, and who can improve upon it, but over whom the other Varallo sculptors have no power. The style of the work is of the sixteenth and not of the eighteenth century--with a few obvious exceptions that suit the year 1709 exceedingly well. Against such considerations as these, a statement made at the beginning of this century referring to a century earlier, and a promiscuous date upon one chapel, can carry but little weight. I shall assume, therefore, henceforward, that we have here groups designed in a plastic material by Tabachetti, and reproduced in wood by the best local wood-sculptor available, with the exception of a few figures cut by the artist himself.

The dispute between Marias and Sulla for the command against Mithridates was the occasion of the first Civil War. The ability which Sulla had displayed in the Social War, and his well-known attachment to the Senatorial party, naturally marked him out as the man to whom this important dignity was to be granted. He was accordingly elected Consul for the year 88 B.C., with Q. Pompeius Rufus as his colleague; and he forthwith received the command of the Mithridatic War. But Marius had long coveted this distinction; he quitted the magnificent villa which he had built at Misenum, and took up his residence at Rome; and in order to show that neither his age nor his corpulency had destroyed his vigor, he repaired daily to the Campus Martius, and went through the usual exercises with the young men. He was determined not to yield without a struggle to his hated rival. As he had formerly employed the Tribune Saturninus to carry out his designs, so now he found an able instrument for his purpose in the Tribune P. Sulpicius Rufus. Sulpicius was one of the greatest orators of the age, and had acquired great influence by his splendid talents. He was an intimate friend of the Tribune M. Livius Drusus, and had been himself elected Tribune for B.C. 88, through the influence of the Senatorial party, who placed great hopes in him; but, being overwhelmed with debt, he now sold himself to Marius, who promised him a liberal share of the spoils of the Mithridatic War. Accordingly, Sulpicius brought forward a law by which the Italians were to be distributed among the thirty-five tribes.

Meanwhile that little disappointment made her delight the more in Sir James Chettam's readiness to set on foot the desired improvements. He came much oftener than Mr. Casaubon, and Dorothea ceased to find him disagreeable since he showed himself so entirely in earnest; for he had already entered with much practical ability into Lovegood's estimates, and was charmingly docile. She proposed to build a couple of cottages, and transfer two families from their old cabins, which could then be pulled down, so that new ones could be built on the old sites. Sir James said "Exactly," and she bore the word remarkably well.

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